Born and raised in New York City, Mitch, a self-taught musician, began performing professionally in 1971 in Ithaca, N.Y., but soon moved on to Chicago where his original jazz and blues compositions blended with the Latin rhythm section of the "New Earth Rhythm Band". They were regulars on the home-grown music scene at the Quiet Knight, appearing with the likes of Levon Helm and Jan Hammer. Mitch's original composition was featured on "The Best of Chicago" LP in 1977. Later, joining forces with Long Island guitarist Mike Barnett, they opened shows and jammed with blues legends Muddy Waters, B.B King, Albert King, Paul Butterfield, and Johnny Winter. His next stop was as a member of the legendary "Buster And The Soul Brothers," where his harmonica became part of the horn section and he occasionally stepped out front to thrill audiences from NYC to Montauk with his dynamic vocals. 

Albums

This Artist has 8 Albums

Videos

This Artist has 3 Videos

Playlists

This Artist has 1 Playlist

Comments

Author
Jenny Marvelous
14 hours ago to Mitch Weiss

Hello Mitch,

I discovered your song and really liked the vibe and energy of the track. It immediately caught my attention, and I can already see some interesting visual possibilities for it.

I'd be happy to collaborate with you on creating a music video that brings the song and its message to life. I'd love to hear your thoughts and see if you'd be open to discussing a visual concept for the song.

Sincerely,
Jenny

1 Replies
 
Mitch Weiss
1 hour ago

Don't think i'll pursue this at this time.
Thanks



Author
Steven B
over 30 days ago to Mitch Weiss

Hi,
I came across your track on Broadjam and I really liked the cinematic build and the production quality. Your sound already feels sync-friendly, especially for film and ads
That said, I noticed a few small but critical gaps that could be holding this track, and your catalog, back from actual placements:

~Metadata Optimization -- Your track isn't fully tagged with industry-standard mood, energy, and scene descriptors that music supervisors use when filtering thousands of tracks.
~Sync-Ready Versions -- I didn't see instrumental, clean, or alternate mixes listed -- these are often required for TV/Film licensing consideration.
~Catalog Positioning -- Your profile and releases aren't fully optimized for music discovery algorithms, which means you're likely missing passive opportunities.
The good news is, these are fixable and can significantly improve your chances of playlisting, licensing, and placements.
I help artists turn their music into "one-stop", sync-ready catalogs that are professionally structured and positioned for opportunities.

If you're open, I can run a free quick audit of your Broadjam profile and show you:

• What's missing
• What supervisors typically look for
• How your current tracks can be improved for licensing
No pressure, just useful insight.
Would you be open to a quick chat? You can reply here or email me at belovedsteve760@gmail.com

Best,
Steven
Music SEO & Visibility Specialist



Author
robertdavis2431038
over 30 days ago to Mitch Weiss

simply the best music, you sound great Mitch

1 Replies
 
Mitch Weiss
over 30 days ago

Thanks Bob!



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