I've been a working musician for many, many years. I've worked with, and learned from some of the best there is - in my opinion. I write and record any and all styles of music that exists, and have to say that I get the most enjoyment out of soundtrack work - mostly orchestral, but it doesn't matter much what style. Whatever fits.

How Bout A Little Bio

A short Biography. I don't record with a band, all instruments and vocals are recorded by me alone, though working with a band is the greatest!

I'm not going to be long winded - just to say that I've been a working musician for many, many years. I've worked with, and learned from some of the best there is - in my opinion. I write and record any and all styles of music that exists, and have to say that I get the most enjoyment out of soundtrack work - mostly orchestral, but it doesn't matter much what style. Whatever fits the bill.

I play all instruments, which makes it pretty easy to get music recorded in quite timely fashion - not having to schedule any outside players, or wait for them, or have to pay anyone - which means I don't have to ask for any more fees than is needed.

That's my quick Bio - I love it, therefore I do it! Thanks.

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This Artist has 3 Playlists

Comments

Hi,

I came across your work on Broadjam and spent some time listening to "Money", there's a level of artistry and direction in your sound that's not easy to come by.
I work privately with a select number of artists, composers, and producers who are serious about positioning their music beyond traditional releases particularly within the sync and licensing space.
In my experience, many strong catalogs remain under leveraged, not due to a lack of quality, but because they aren't aligned with how music supervisors and licensing platforms actually search, filter, and select material.

My role is to bridge that gap refining catalog presentation, enhancing sync readiness, and ensuring the music is positioned where it holds real commercial value. The goal is simple: to open doors to meaningful placements, strategic partnerships, and long term opportunities.

I'm selective about who I work with, but I believe your sound could translate well in that space.
Out of curiosity, is sync and licensing currently part of your long term strategy, or is your focus elsewhere at the moment?

If you are interested kindly reach out to me:rebeccadigital03@gmail.com

Cheers,
Rebecca
Seo Specialist and Sync Licensing Consultant



Hello,
I've been listening to your work "City's On Fire" on Broadjam, really solid work. You've got a strong sound with clear potential beyond just streaming.

A lot of great artists get overlooked not because of talent, but because their music isn't positioned the way industry decision-makers expect. I help artists turn their catalog into sync-ready, industry-aligned assets, with professional visuals and branding that improve discovery, pitching potential, and overall presence.

This helps with:
• Sync and licensing opportunities
• Stronger audience growth and engagement
• A more polished, competitive artist profile

Quick question -- are you currently focused on landing placements, growing your audience, or both?

If you're open to a quick, no-pressure chat, I'd love to explore how we can elevate your positioning.

Let's connect: timothytomdg@gmail.com
Best,
Timothy Thomas
Music Promotion & Sync Positioning Specialist



Author
Steven B
4 days ago to Chris Landi

Hi, I checked out your music and you've got solid potential for sync licensing.
One thing I've noticed working with artists is that even great tracks often get overlooked due to small but critical things like metadata, structure, or licensing readiness.
Do you currently prepare your releases with sync opportunities in mind, or are you mainly focused on streaming and promotion?
Happy to share some insights, you can reply here or email me at belovedsteve760@gmail.com



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