Jimmy Steinfeldt is my name and some of my great songwriting partners include Stan Behrens (Willie Dixon, Canned Heat, WAR, Rockford Files), Jimmy Hunter (record producer extraordinaire), and Pete Hopkins my partner in our great band J.P. Hopfelt.

Sounds Like: Steely Dan, Jimi Hendrix

Latest News

I'll be signing and selling my CDs and books at DIESEL bookstore in Brentwood CA on 3-29-18 at 6:30pm.

J.P. Hopfelt Music Video

Check out the award winning video here.
https://www.youtube.com/watch?v=zPi-YkP68Rg

Albums

This Artist has 1 Album

Comments

Author
MercyJ
over 30 days ago to Jimmy Steinfeldt

Hello Jimmy,
I spent some time listening to your work, and there's something interesting about the direction of your sound, it already carries a kind of mood and structure that tends to translate well outside the usual release cycle.

Not in an obvious way, but in the kind of spaces where music is used more intentionally (film, sync, placements, etc.).
Have you ever explored that side of things before?



Author
Wura
over 30 days ago to Jimmy Steinfeldt

Hi Jimmy,
I've been reviewing a few catalogs on Broadjam, and your name came up in that process.
I work closely with artists on the sync side, specifically identifying what's actually holding strong records back from being considered for placements.
I'd like to take one of your tracks through a Sync-Ready Audit.
That means looking beyond the music itself and into the details that supervisors quietly filter for metadata structure, registration alignment, and overall pitch readiness. Just a clear breakdown of where your track stands and what could make it more placement-ready.

If you're open to it, send me a link to the track you'd want reviewed: wuradigitals@gmail.com
Best regards,

Wura Digital Services
Sync Strategy & Catalog Development



Hi,

I came across your work on Broadjam and spent some time listening to "Maybe Forever", there's a level of artistry and direction in your sound that's not easy to come by.

I work privately with a select number of artists, composers, and producers who are serious about positioning their music beyond traditional releases particularly within the sync and licensing space.

In my experience, many strong catalogs remain under leveraged, not due to a lack of quality, but because they aren't aligned with how music supervisors and licensing platforms actually search, filter, and select material.

My role is to bridge that gap refining catalog presentation, enhancing sync readiness, and ensuring the music is positioned where it holds real commercial value. The goal is simple: to open doors to meaningful placements, strategic partnerships, and long term opportunities.

I'm selective about who I work with, but I believe your sound could translate well in that space.

Out of curiosity, is sync and licensing currently part of your long term strategy, or is your focus elsewhere at the moment?

Best regards,
Rebecca
Seo Specialist and Sync Licensing Consultant



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