B3D forges together an experienced duo with a diverse background in both popular mainstream & classical music in NYC. This complementary skill set creates a truly unique production team. B3D brings a high caliber of musicianship, song writing & engineering into music production to set the tone for a new direction in today's popular music. BRUNO started his professional career as a music engineer at the renown Hit Factory in NYC working with major artists such as Kanye West, Beyonce, Mary J Blidge, Missy Eliot, Justin Bieber, & Prince Royce as well as producers such as Elliot Scheiner, Kevin Shirley, Steve Thompson, & Rockwilder. DEBORAH is a classically trained pianist with a bachelors & masters degree in music. Having come from a strong background in improvisation & composing Deborah is able to utilize those skills in production & in a wide variety of genres. She employs a high level of programming skills using the latest digital audio software for her arrangements and compositions.

Sounds Like: The XX

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Author
MercyJ
1 week ago to B3D Music

Hello B3D,
I spent some time listening to your work, and there's something interesting about the direction of your sound, it already carries a kind of mood and structure that tends to translate well outside the usual release cycle.

Not in an obvious way, but in the kind of spaces where music is used more intentionally (film, sync, placements, etc.).
Have you ever explored that side of things before?



Hi,

I came across your work on Broadjam and spent some time listening to "Amazing Grace", there's a level of artistry and direction in your sound that's not easy to come by.

I work privately with a select number of artists, composers, and producers who are serious about positioning their music beyond traditional releases particularly within the sync and licensing space.

In my experience, many strong catalogs remain under leveraged, not due to a lack of quality, but because they aren't aligned with how music supervisors and licensing platforms actually search, filter, and select material.

My role is to bridge that gap refining catalog presentation, enhancing sync readiness, and ensuring the music is positioned where it holds real commercial value. The goal is simple: to open doors to meaningful placements, strategic partnerships, and long term opportunities.

I'm selective about who I work with, but I believe your sound could translate well in that space.

Out of curiosity, is sync and licensing currently part of your long term strategy, or is your focus elsewhere at the moment?

Best regards,
Rebecca
Seo Specialist and Sync Licensing Consultant



Author
Steven B
3 weeks ago to B3D Music

Hey B3D Music,
I came across your track and I like the direction you're going with your sound.
Quick question, have you ever considered preparing your music for sync licensing (film, TV, ads)?
A lot of artists I speak to have strong songs but miss out on opportunities because their tracks aren't fully sync-ready.
If you're open, I can give you a quick insight into how your music could be positioned for licensing.
Feel free to reply here or send your track to belovedsteve760@gmail.com

Best regards,
Steven
Music SEO & Visibility Specialist



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