Formerly known as Malick Da 1da, BEN MALICK is an Underground Real Hip-hop Producer/Emcee, from and located in Nkolbisson neighborhood, Yaoundé city, Cameroon, Africa. He's been in the Hip hop for 15 years and has started making beats for 12 years. He's been seriously influenced as Emcee as Producer by legends like RAKIM, NAS, SEAN PRICE (RIP), DJ PREMIER, 9th WONDER, NOTTZ, KHRYSIS. For gold from craft, he messes with FL Studio 8 (when sampling) and 9 (when using synths). As Founder/President/CEO of his own Organization/Label/Company called HEARTZ & SOULZ which targets to provide services supporting low-budget indie Hip hop artists, he works the most with US Emcees but also with some Emcees from Africa, Europe, Oceania and Asia though. He's definitely one of the rare African-based prolific music makers successfully dealing with US and the rest of the world, getting some names on his works except himself.

Sounds Like: 9th Wonder, Nas

Latest News

The Producer/Emcee Ben Malick has recently 4 projects including his first one made way back 4 years ago and equally those made alongside with respectively Emcees named Shadowstar Boxer, Rev Sum1 Els and Prossess. He's currently producing for many Artists and lately working on future solo projects and collaborationsas well that will drop this year...

Comments

Author
MercyJ
2 weeks ago to Ben Malick

Hello Ben,
I spent some time listening to your work, and there's something interesting about the direction of your sound, it already carries a kind of mood and structure that tends to translate well outside the usual release cycle.

Not in an obvious way, but in the kind of spaces where music is used more intentionally (film, sync, placements, etc.).
Have you ever explored that side of things before?



Author
Wura
4 weeks ago to Ben Malick

Hi Ben,
I've been reviewing a few catalogs on Broadjam, and your name came up in that process.
I work closely with artists on the sync side, specifically identifying what's actually holding strong records back from being considered for placements.
I'd like to take one of your tracks through a Sync-Ready Audit.
That means looking beyond the music itself and into the details that supervisors quietly filter for metadata structure, registration alignment, and overall pitch readiness. Just a clear breakdown of where your track stands and what could make it more placement-ready.

If you're open to it, send me a link to the track you'd want reviewed: wuradigitals@gmail.com
Best regards,

Wura Digital Services
Sync Strategy & Catalog Development



Author
Steven B
4 weeks ago to Ben Malick

Hey Ben,
I came across your track and I like the direction you're going with your sound.
Quick question, have you ever considered preparing your music for sync licensing (film, TV, ads)?
A lot of artists I speak to have strong songs but miss out on opportunities because their tracks aren't fully sync-ready.
If you're open, I can give you a quick insight into how your music could be positioned for licensing.
Feel free to reply here or send your track to belovedsteve760@gmail.com

Best regards,
Steven
Music SEO & Visibility Specialist



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