James Burns

1 week ago

Hi, Thanks for taking the time to give my music a listen. I have songs that are perfect for an artist(s) tv netflix commercials, whatever. The first two songs in the list have had a lot of attention, fan wise, but I can't find anyone who has the brains to take those to Netflix and any other tv and movie people and make a lot of money. I am disabled and getting worse. I am ill. I have had so many scammers come at me and that won't work with me. I spent many years in asset protection, loss prevention, policy and procedure, law-enforcement and risking my life on some crazy undercover jobs I now fully appreciate who only the young are suited for what I did. Only takes one real person who really know what they are doing to see the potential in 3/4 of my songs especially the first two in the list. Good Luck. I know I won't hear from you. thank you for reaching out but I won't fall for scams and I hate lazy people. I have xlnt songs. Already Over You was written for Dixie Chicks and a guy who worked for them thought it was a song that would be a hit and be on any Best of albums but the that big mouth Natalie Maynes shot her mouth off about the POTUS and her father said thans but no thanks. FUCK! That song is still perfct them.

Patrick Bachana| Authenticated | Sync & Catalog Consultant

1 week ago

Hi James,
I respect that. After the careers you've had, I'd expect nothing less than caution.
And you're right!, there are a lot of people online who talk big and deliver nothing.

Let me clarify something important though, because this is where most artists get misled:
You don't "take a song to Netflix."
Netflix doesn't accept direct submissions from artists.
Placements happen through:
1- Music supervisors
2- Production companies
3- Sync agencies
4- Libraries with existing licensing relationships
5- Properly cleared, one-stop metadata-ready catalogs
If a song isn't structured correctly for that ecosystem, it never even gets heard, no matter how good it is.
That's usually the missing piece.
When you say your first two songs have traction, that's interesting!. Attention coupled with the right licensing infrastructure is where things get real.
I don't work on hype or promises. I work on structure:
>Catalog positioning
>On stop clearance readiness
>Metadata & supervisor formatting
>Pitch pathway mapping
If there's real potential, I'll tell you.
If there isn't, I'll tell you that too.

No pressure. No games.
If you're open minded to a professional evaluation of those first two tracks, we can take it step by step and keep it transparent.
You've already done the creative work.
The question is whether the business side is built correctly. Feel free to connect directly on patrickumeshsocial@gmail.com for more Info

Patrick

James Burns

over 30 days ago

Hi, I did one collaboration with Annie who did the vocals on Blueridge Mountain Skies. all she did was add her vocals to the song then she turned around and tried selling the song behind my back. I just added a song I know is going to make me and anyone who joins me good money. It has a great catchy hook/title. It's called Weak Scared Insecure He's a Lying Hypocrite.